题目
题型:不详难度:来源:
第二部分 阅读(共两节,满分80分)
第一节:阅读理解(共35小题;每小题2分,满分70分)
阅读下面短文,掌握其大意,然后从21~55各题所给的四个选项(A、B、C、D)中,选出最佳选项,并在答题卡上将该项涂黑。
It has long been known the ancient Egyptian rulers, or pharaohs, were buried with great ceremony and lavish treasures that were to be used in the other world.
Unfortunately, until 1922 no remains of any of the pharaohs or their treasures had ever been found. In that year, however, an archaeologist named Howard Carter and his sponsor, Lord Carnavon, were at last successful. They found the tomb of King Tutankhamen, who was buried 3,200 years ago. King Tut’s tomb was the first fully preserved burial site to be uncovered in Egypt’s Valley of the Kings. The two men found the tomb to contain wonderful treasures. Gold figures and magnificent furniture decorated with gold were found in the myriad of secret rooms and tunnels within the pyramid.
The only disappointment for Howard Carter came when he found that King Tut’s body was nothing but dust. Apparently a mistake had been made when the king’s remains were mummified (使成木乃伊). Carter did, however, find 143 pieces of jewelry within the mummy case, mostly made of gold and precious stones.
Actually, despite all the publicity about the remarkable finds in his tomb, Tutankhamen’s reign (统治时期) as pharaoh was short and relatively uneventful. He died when he was just 18 years old.
There is an interesting story that goes along with King Tut’s tomb. According to legend, a powerful curse was placed in it. This curse was to descend on anyone uncovering Tutankhamen’s burial place. Not very long after the discovery, Lord Carnavon, along with several of the workmen, died suddenly.
1.The subject of this passage is .
A.the Valley of the Kings B.the discovery of King Tut’s tomb
C.King Tut’s accomplishments D.Howard Carter, archaeologist
2.Which statement is true according to this article?
A.Not until King Tut’s tomb was found did people realize that Egyptian pharaohs
were buried with great ceremony and lavish treasures.
B.The first grand burial site of the ancient Egyptian rulers was built 3,200 years ago.
C.Historically, Tutankhamen’s reign was not very much important.
D.The writer feels it a pity that Lord Carnavon and several of the workmen died
because of the curse.
3.It seems clear that King Tut .
A.was a great military leader B.thought a great deal of himself
C.was afraid of dying D.was killed by his enemies
4.If you have a myriad of something, you have .
A.many B.some C.few D.several
5.Which of the following can be the best title for the passage?
A.King Tut’s Tomb B.The Egyptian Tombs and Treasures
C.King Tut’s body D.The First Pharaoh’s Treasures
答案
小题1:B
小题2:C
小题3:B
小题4:A
小题5:A
解析
核心考点
试题【第二部分 阅读(共两节,满分80分)第一节:阅读理解(共35小题;每小题2分,满分70分)阅读下面短文,掌握其大意,然后从21~55各题所给的四个选项(A、B、】;主要考察你对题材分类等知识点的理解。[详细]
举一反三
Five Olympic mascots were announced exactly 1000 days before the Beijing Olympic opening ceremony. The long--anticipated mascots represent four of China"s most popular animals — the fish, the panda, the Tibetan antelope and the swallow .The fifth mascot is the brightly burning Olympic flame.
Each of the mascots has a repeated two-syllable name. This type of name is a traditional way of showing affection for children in China. BeiBei is the fish, JingJing is the panda, HuanHuan is the Olympic flame, YingYing is the Tibetan antelope and NiNi is the swallow. The first characters of their two-syllable names read “Beijing Huanying Ni,” or, in English, “Welcome to Beijing.”
The five elements of nature, including the sea, forest, fire, earth and sky are found in the mascot"s origins and headpieces. These special headpieces also display the folk and culture of China. Each mascot also symbolizes a different blessing ---prosperity, happiness, passion, health and good luck.
It is the first time more than three mascots will share the important duty of representing their host country. Han Meilin, chief of the mascot design team explained that, “China has such a rich culture that no single mascot could possibly represent it! That is why we chose to produce five mascots instead of one.”
Called the “Five Friendlies,” the figures embody(体现) the Chinese people’s hope for peace and friendship in the world and the spirit of the Olympics, representing not only multi-ethnic(多民族的) cultures of China, but also the traditional Chinese philosophy of harmony between humans and nature.
In order to help Beijing 2008 spread its theme of One World, One Dream to every continent, the Five Friendlies reflect the deep desire of the Chinese people to reach out to the world in friendship through the Games — and to invite every man, woman and child to take part in the great celebration of human union in 2008.
1. What’s the theme of Beijing 2008 Olympics?
A.Welcome to Beijing.
B.Prosperity, Happiness, Passion, Health and Good luck.
C.New Beijing, New Olympics.
D.One World, One Dream.
2. What did Han Meilin, chief of the mascot design team, think of the five mascots?
A.He thought highly of the five mascots.
B.No single mascot could represent China.
C.The five mascots represented the culture of China.
D.They would reflect the desire of Chinese people.
3. Which of the following statements is not true?
A.It’s for the first time that five mascots are chosen to represent their host country in the Olympic history.
B.One of the five mascots YingYing stands for the Olympic flame.
C.Beijing announced its five 2008 Olympic mascots just 1000 days before the big event.
D.The five mascots express affection for Chinese children by two-syllable names.
4. Which of the following best reflects the main idea of the passage?
A.The 29th Olympic Games will be held in Beijing in 2008.
B.The theme of 2008 Beijing Olympics — One World, One Dream.
C.The significance of five 2008 Olympic mascots — the Five Friendlies.
D.How the Five Fantastic Mascots came into being.
5. What do the five mascots — the Five Friendlies represent?
A.“Beijing Huanying Ni,” or, in English, “Welcome to Beijing.”
B.Chinese multi-ethnic cultures, philosophy of harmony between humans and nature and five elements of nature.
C.Chinese people’s hope for peace and friendship in the world and the spirit of the Olympics.
D.The deep desire of the Chinese people to reach out to the world in friendship through the Olympics.
for publishing the results and preserving the sites once excavated. Yet archaeologists deal with priceless objects every day. Besides, there is the problem of unlawful excavation, resulting in museum-quality pieces being sold to businessmen at the highest price..
I would like to make a suggestion that would at once provide money for archaeology and reduce the amount of diggings against law. You might say that professionals excavate to get knowledge, not money. Moreover, ancient artifacts(古器
物) are part of our global cultural heritage(遗产), which should be there for all to appreciate, not sold at the highest price. I agree. Sell nothing that has scientific value. But, you might reply, everything that comes out of the ground has scientific value. Here,
we disagree. In theory, you may be correct in saying that every artifact has hidden scientific value.
People can not help appreciate every unearthed treasure but there is not enough money even to put the finds in good order; as a result, they cannot be found again and become as inaccessible as if they had never been discovered. Indeed, with the help of the Internet, sold artifacts could be more reachable than are the pieces stored in museum basements. Before sale, each could be photographed and the list of the purchasers could be maintained on the computer. A purchaser could even be required to agree to return the piece if it should become needed for scientific purposes.
小题1:What’s the problems that archaeology as a profession has to face?
A.Money and unlawful excavation | B.Effectively duplicates. |
C.Scientific purposes. | D.Excavation law. |
A.putting them in the museum | B.having sold artifacts returned |
C.making use of the Internet | D.solving the money problem |
A.No selling of any unearthed ancient artifacts. |
B.Some money should be raised for the purpose. |
C.Selling some unearthed ancient artifacts and having them returned when needed. |
D.Ancient artifacts, our global cultural heritage, should be evenly shared by us all. |
The Parthenon in Athens is a building with a long and complex history. Built nearly 2,500 years ago as a temple celebrating the Greek goddess Athena, it was for thousands of years the church of the Virgin Mary of the Athenians, then a mosque (清真寺), and finally a ruin. The building was changed and the sculptures much damaged over the centuries. By 1800 only about half of the original sculptural decoration remained.
Between 1801 and 1805, Lord Elgin, the British ambassador to the Ottoman Empire, which controlled Athens, acting with the full knowledge and permission of the Ottoman authorities, removed about half of the remaining sculptures from the fallen ruins and from the building itself. Lord Elgin loved Greek history and transported the sculptures back to Britain. The arrival of the sculptures in London had a huge effect on the European public, greatly increasing interest in ancient Greek culture and influencing contemporary artistic trends. These sculptures were acquired from Lord Elgin by the British Museum in 1816 and since then they have all been on display to the public, free of charge.
Since the early 1980s, however, the Greek government has argued for the permanent removal to Athens of all the Parthenon sculptures in the British Museum. They have also challenged the British Museum Board of Trustees" legal title to the sculptures.
The British Museum, however, insists that it exists to tell the story of cultural achievement throughout the world, from the dawn of human history over two million years ago until the present day. The museum considers itself an important resource for the world: the breadth and depth of its collection allows the world public to re-examine cultural identities and explore the complex network of interconnected world cultures.
It also says that, within the context of this unparalleled collection, the Parthenon sculptures are an important representation of ancient Athenian civilization. Each year millions of visitors admire the artistry of the sculptures and gain insights on how ancient Greece influenced - and was influenced by - the other civilizations that it encountered.
51. For most of its history people went to the Parthenon to ______.
A. admire the goddess Athena B. pray to their god
C. search for sculptures D. learn about its complex history
52. The underlined "it" (in Paragraph 4) refers to "_________".
A. the British Museum B. the Greek government
C. the Parthenon D. the British Museum Board of Trustees
53. What can we infer from the passage?
A. The sculptures introduced ancient Greek culture to the west.
B. Ancient Greek culture has greatly influenced world culture.
C. The British Museum has made much money from the Parthenon sculptures.
D. The British Museum is the place most capable of preserving these sculptures.
54. What can we learn about Lord Elgin from the passage?
A. He is greatly admired in Greece.
B. He worked for the Ottoman Empire.
C. He saved the Parthenon sculptures from being destroyed.
D. He had a deep interest in Greek culture.
55. The author"s main intention in writing this passage is to tell _____.
A. the history of the Parthenon and its sculptures
B. what people can see in the British Museum
C. why the British Museum refuses to return the sculptures
D. the influence of Greece on British culture
The first bullet "train designed and manufactured in China with a speed of 300 kilometers per hour roiled off the production line on Saturday morning. The train was the latest model in the country" s China Railway High-speed (CRH) Series. This marks that China has joined a leading world club after Japan, France and Germany to become the fourth country capable of turning out such high speed trains. Previously, China" s fastest selfdeveloped trains ran at a service speed of up to 250 km per hour.
Those trains, which presented to public on April 18, served the Beijing-Harbin, Beijing-Shanghai and Beijing-Guangzhou routes. The new streamlined train was made of aluminum alloy(铝合金). The train body was the lightest of its kind in the world; Such a design was for the sake of energy economization. The train" s power was 12.7 kilowatts, lower than other high-speed trains, which was normally about 15 kilowatts.
The new train, which features a bar in the dining car and double-faced LCD TV screens in the first-class cars, was equipped with shock absorbers between carriages. As the train is running at a high speed, the shock absorbers are used to reduce shocking force and rocking of the train body. A train with eight carriages could seat about 600 passengers. They were expected to run on the 115-km Beijing-Tianjin route starting from August before the Beijing Olympic Games. It would reduce the journey time from the current 80 minutes to around 30 minutes.
77. From the 1st paragraph we learn that_______.
A. The latest model of CRH Series ran at a service speed of up to 250 km per hour
B. China became the fourth country in the world able to produce bullet trains
C. The first self-developed bullet train roiled off the production line at a speed of 300 km per hour
D. China has joined a leading world club consisting of Japan ; France and Germany
78. The new bullet train_______.
A. has been put into use in China B. has double-faced LCD TV sets in first carriage
C. is slower than high-speed trains D. is made of the lightest material in the world
79. "It" in the last paragraph refers to_______.
A. a train with eight carriages B. the speed of 115 km per hour
C. the Ministry of Railways D. the use of the new train
80. What is mainly talked about in this passage."?
A. The bullet trains designed and made in China have been put into operation.
B. The bullet trains serve many of the main routes between big cities in China.
C. The new bullet trains are equipped with some advanced facilities.
D. The new bullet trains are expected to run for the Beijing Olympic Games.
The Parthenon is an ancient Greek temple built in Athens about 438 B. C. Many people think that the Parthenon is one of the world" s most beautiful buildings. It has a grace and balance that have pleased the eyes of man for centuries.
Architects who have studied the Parthenon know that the Parthenon is a giant optical illusion. An optical illusion is a trick our eyes play on us. All the seemingly straight lines of the Parthenon are actually curves(rounded bends). These curves did not happen by accident. The ancient Greeks,who were fine engineers as well as excellent artists, knew that straight lines can sometimes appear to be curved ! So they designed their columns (stone poles) to look straight.
Try drawing two long parallel(平行)lines on paper. Do they seem to look closer together in the middle than at the ends? A tall column is likely to look narrow halfway up, too. The columns of the Parthenon look as if they stand perfectly straight. Actually, they are slightly bigger in size in the middle and go inward a little at the top. If lines were drawn up along opposite sides of the columns, these lines would meet about one mile above the building.
A platform of three steps forms the base on which the Parthenon rests.These steps have strong horizontal(水平)lines that balance the vertical(竖直)lines of the columns.But the steps are not really level and flat!They curve up in the middle because if they were absolutely straight,,they would appear to curve down.The line of the top step,if continued at both ends,would form a circle with a radius of 3. 5 miles.
When is a curved line not a curved line? When our eyes tell us it is straight!
73.The passage mainly tells us_______.
A. what two parallel lines look like on paper
B. why a curved line can appear to be straight
C. where the secret of the Parthenon Temple lies
D. when the columns of the Parthenon look curved
74.Which of the following is close in shape with the steps of the platform?
A. B. C. D.
75.What can we infer from the passage?
A. The Parthenon is a famous historic building.
B. The Greeks knew a lot about optical illusions.
C. The ancient Greeks were people of intelligence.
D. Curved lines can meet somewhere above a building.
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